
Harry Bitering, his wife Kora and their children Dan, Laura and David are some of the pioneers. On Mars, the first landing in the world was made to develop new lands. But there are those who find the strength to reject him – they are those who leave Omelas. They find reasons to put up with this order of things. Most continue to enjoy life, although memories of the unfortunate poison their being. Neither the inhabitant of the town dares to change the life of this child, nor even just to approach him with a kind word of comfort – otherwise the happiness for the whole town will end. The well-being of this town in some mysterious way turned out to be connected with the life of a child who drags out living in complete solitude in a dark basement. The parable is a description of the happy life of the town called Omelas. In this form, this theme already sounded in Dostoevsky’s novel The Brothers Karamazov (reflections on the “tear of a child”) and in William James in The Moral Philosopher and Moral Life (passage about the “lost soul”). The parable raises one of the eternal problems – is it justified the existence of a society in which those who have found themselves in the backyard of life coexist, and the prosperous majority, proud of the gusts of compassion for them. The author’s subtitle – “variations on a theme from the works of William James” – is omitted in most Russian editions, as is the author’s foreword. If God is omnipotent, but not good, he could stop evil, but would not.The author in his foreword defines the work as a psychomyth whose central idea is the theme of a “scapegoat”, which means thinking about the price that people are willing to pay for their prosperous existence. If God is good, but not omnipotent, he wants to stop evil, but cannot. The existence of evil is usually accepted as a given. The question of the problem of evil is summed up in three statements: God is good, God is omnipotent and omniscient, and there is evil. Collins writes "the narrative justifies or makes sense of a painful aspect of theodicy"(527). "The Ones Who Walk Away From Omelas" is an attempt to explain the problem of evil. In Omelas, the people have no guilt so they are able to sacrifice the child for their happiness with no remorse because they are happy. Readers must face the question of what they would be willing to sacrifice for happiness. Once the reader begins to enjoy the city and begins to see its happiness as a good thing, then the reader, like the adolescents in the story, must be shown that on which the happiness depends. Do you need this to make you happy? Then you may have it. They could not live in a place, no matter how perfect, that thrives off a child's torment.Īll of the narrator's questions invite the reader to place himself in the position of the people of Omelas. These are few, but they are the ones that have guilt. The narrator states the technology Omelas could have and then says "or they could have none of that: it doesn't …show more content… But there are some who walk away from Omelas. The narrator also lets the reader mold the city. At times the narrator does not know the truth and therefore guesses what could be, presenting these guesses as often essential detail. Omelas is described by the narrator as the story begins. "The Ones Who Walk Away From Omelas" presents a challenge of conscience for anyone who chooses to live in Omelas. In Ursula LeGuin's short story "The Ones Who Walk Away From Omelas" the city of Omelas is described as a utopia. Utopia is any state, condition, or place of ideal perfection. Ursula LeGuin's The Ones Who Walk Away From Omelas
